
Cutting on motion is a shortcut, not a rule
Why cutting on action can smooth a scene over and how to let the emotion set the rhythm instead.
Read the pieceOccasional, practical writing about editing, color and retouching — the kind of notes we wish someone had handed us when we started.

Why cutting on action can smooth a scene over and how to let the emotion set the rhythm instead.
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Contrast, saturation and skintone mistakes that amateur color work keeps repeating.
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Why a portrait is cleaner when each issue is handled as its own pass.
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